Typical Dinsdale, according to the SpinOut website: crunchy, sneakily snide house automation, with a riff on the breakdowns (nothing spectacular, just a handful of notes set in alien chrome looking to send the place catatonic) leading into a funky, twisty, techy, proggy follow through.
Trevor Loveys poses the same sort of funky techno threat, lining up Tricky Disco-style bleeps, Papua New Guinea gurgles and old skool hardcore breaks. This is all before he trips a switch that gives Blitzkrieg its rightful definition away from being a rave throwback in tie-dye, unloading a preposterous bassline of bludgeoning, electro-gouging dissent.
Jon Gurd minimalises for a low and sticky techno workout, mopping up the previous butchery. A bobbing back end with high-pitched squeaks and rustic percussion, leads into ascending whooshes sounding like a willowy sprinkling of spacedust.
Mic Newman, his selected of bleeps of choice including the sounds of tracking devices and a dial-up connection tumbling tunefully, posts another tech-funk driver. A far-reaching breakdown of THX-level depths keeps closer quarters with the original, upon bringing back in the slippery alien riff.
Other than Loveys flying off the handle, it’s a package that’s less a blitzkrieg but more a resolute job-doer for skirmishing to when you’re fending off chucking out time.